Published by May 2013, Harlequin Teen, 456 pages, £3.49
I thoroughly enjoyed this. Before embarking on an 11 hour flight across the world, I knew I needed a Katie McGarry. Everything she writes somehow both soothes and excites me. Pushing the Limits, the first in this series was great, full of crackling chemistry and drama. I would recommend reading this book first as it contains the characters’ history, which isn’t completely essential, but boosts the engagement.
This story follows Beth, another girl from the wrong side of town (Check out Red At Night). All she has known since she was a child was to protect her mother from everything.. drugs, a violent boyfriend and prison. Growing up with unsavoury characters, she has learnt to be tough as nails and sharp as a whip in order to survive. Her character jumped out at me with her dialogue ringing out loud and clear. Her vulnerability and strength also felt raw.
As problems spiral out of control, Beth is forced to move away with her uncle who makes it his mission to reform her. Scared for her mother, separated from her best friends and attending the local ‘hick’ high school, she experiences her worst nightmare. Despite this, she finds herself drawn to the most stereo-typical guy she should avoid, golden boy jock Ryan. He is your average High School Musical star, but with baseball and a bit more muscle. On track to play pro, the cracks in his perfect life start to inch further into the book; a domineering father, a depressed mother and an estranged brother. What starts off as a dare to ask out scary skater girl, leads to deep attraction and mutual understanding. This romance started off quite slow with a lot of back tracking, which made the book longer than necessary. I was impressed with the shift in Ryan’s character, who started off as an macho airhead.
Beth and Ryan have to face a lot of courage to make their relationship a reality. They have to face abilities that have been suppressed or forgotten. For Beth it’s trust, while for Ryan it’s rebellion.
Happy to continue my journey through the series..
Published by Walker, April 2017, 436 pages, £2.00
This is an outstanding debut novel, young adult story and a contemporary peep hole into the thorny topic of race in America. I loved every word of it and slowed down my reading pace to stall its ending. It’s also a very ‘now’ book, like Melissa de la Cruz’s Something in Between which is about immigration and identity in the eyes of a high schooler, published just before Trump’s rise to power. I was half way through ‘The Hate…’ when I heard news of the Charlottesville rally. However, that doesn’t mean it should be read just because of its current-ness. What strikes the reader is the stubborn timelessness of prejudice and corrupted politics. There is however, a sense of hope that change is still possible, even if it’s slow and painful.
Sixteen-year-old Starr witnesses her childhood friend being shot by a police officer for no real reason. And just like that her life is turned upside down. Raised in a rundown community, known for crime and gang warfare, she attends a private school on the privileged side of town. After the incident, Starr is exposed to the harsh division of her two worlds. As the case builds up and goes public, injustices and ugliness are dragged to the fore. Attitudes remain infuriatingly fixed, refusing to budge. As the sole witness, the pressure and responsibility rests upon Starr’s young shoulder to set the score.
‘The Hate U Give’ also stands for THUG, which is taken from the rapper Tupac’s lyrics: ‘Thug life: the hate you give to infants f*** everybody’, a nod to the author’s musical past. The seed of hate fosters fear and even more hate, like an endless circle with no progress for anyone. Starr is made to realise how she had succumbed to acting and talking different at her school. The fear of being stereo-typed as ‘ghetto’ or ‘angry black girl’, caused her to iron out her identity. This is something I understood as an ‘ethnic minority’- the desire to down play your race and to blend in.
Despite the seriousness of the topics, Thomas manages to keep the novel strictly teen with talk about fashion and sports, as well as a cute romance. Most of the plot is centred around an exciting build-up as the readers wait to see whether Starr will speak out. However, there were some slow parts which I believe is intended as relief from the heavy subjects.
We need more books like this.
Published by St. Martin’s Press, September 2013, 481 pages, £1.19
What started as a light-hearted story about a young woman’s first days at Uni quickly evolved as a thoughtful tale about mental health. Do not be fooled by the cutesy cover. While it is upbeat and quirky, it moves into darker corners of everyday life.
Cath lives and breathes fandom. She and her twin sister Wren devoured a children’s fantasy series called Simon Snow. They wrote wreathes of fanfiction, hung out in forums and went to late night book releases. Their obsession grew at the same time their mother had left them. In that sense it was not so much a craze but a way to cope. For Cath, it was not only the option to live in someone else’s world, but to have their words become yours. In writing fanfiction, she ensured that the story that comforted her during the painful separation, never ends. This is a notion that really hit home. Cath takes comfort-zone to a whole new level.
As the sisters head off to college, Wren is keen to become independent and live apart. So Cath is faced with a terrifying new life, away from a once inseparable twin and a father who also never fully recovered from the family trauma. We soon realize that this is more than your usual freshmen jitters. Cath has trouble engaging with new environments and people, preferring to almost starve than ask where the food hall is. A big bulk of the novel focuses on how she navigates through this, with the help of some zesty characters and a cute farm boy. This is when the plot slows a little, but the author easily maintains a constant liveliness to the story.
Cath is a very sweet character and I imagine she speaks to many types of ‘fangirls’. We all understand how special certain books are, their characters, worlds and most importantly their words. We root for Cath to grow in confidence and independence, not so she can cast away her past but so she can finally create her own stories.
Published by Penguin, 1 June 2017, 368 pages, £5.99
Penguin cleverly sent around press releases daring me NOT to like this book. They boldly claimed that there was not a single reader who disliked the book. So of course I had to accept the challenge, even though I knew it was a marketing bait. I knew that my weakness for high school murder mysteries (a la Pretty Little Liars) will guarantee a base interest. This novel has a bit of everything, intense sleuthing, teen drama and romance. Its attempts to handle darker elements like death and mental illness might be its one flaw.
This is one of the most exciting YA books I have read so far. Five different characters collide in one detention session, all with secrets. Like those who didn’t grow up in the American school system, I have a fondness for their (damaging) stereotypes: the brain, beauty queen, jock, drop-out and outcast. None of these students know why they had detention and at the end of it, Simon the outcast is dead. The rest of the group become suspects. With each day the police are increasingly determined to bring them down. And get this, Simon’s gossip blog continues to post, the topic being the famous four and their secrets. So who is determined to ruin their lives, some elusive stranger or one of them?
If I do say so myself, I had started to get an inkling of who the culprit was. But I do applaud the many twists and turns the plot leads you down. Despite their different worlds, the characters bond with motivating results. They shed their stereotype shells, help each other’s problems and embrace their real selves. There are transformations, society challenges and an additive unlikely romance. However, the story navigates shakily with the topic of depression. The illness was clumsily explained for the rage and revenge that fueled death. But I think the author means to highlight it as a condition partly caused by the school cliques and separations (ones that we in turn find so appealing) in which the main characters ultimately take apart.
Many thanks to Penguin for my review copy xxx