A great read, but unfortunately not the most powerful of Katie McGarry stories. Walk The Edge still remains for me the most intense and romantic. Say You’ll… is about a privileged but stifled governor’s daughter and an alleged convict on a government rehab scheme. Drix was convicted of a crime he didn’t commit. The time he spent away was still a reality check for the reckless lifestyle he led and when he was chosen to take part in the governor’s ‘Second Chance’ program, it seemed like an opportunity to get his act together concerning school and family. The program aims to keep young offenders from returning to crime and reintegrate back into society, as well as providing publicity for the governor’s campaign trail. His daughter, Elle faces constant pressure to be the perfect politician’s daughter, in the way she acts, looks and creepily who she might be dating. Everything is planned, cultivated and controlled. This leaves little room for exploring her identity and interests, especially if she has been raised to do what she is best at rather than what makes her happy.
The whiff of Drix and Elle’s instant attraction is caught immediately by Elle’s parents, who make it clear that Drix is completely off the radar; especially if it indicates her father’s program being tainted with bias. Likewise, Drix is fully aware that getting involved with the governor’s daughter, a man who has given him the only lifeline he has had in many years, is the worst first step he can make.
I really wanted to be swept up in this story. There is plenty of feisty flirting, but the dialogue carried on longer than it needed. There was a lot of sentimental and motivational talk, but repeated and continued rather than amounting to action. This novel taps into many interesting topics such as controlled and abusive relationships, double standards in politics and rehabilitation programs. There is also the mystery of who actually committed the crime, resulting in an action packed struggle at the end. However, I just didn’t latch on as I normally would for a McGarry instalment, maybe just needed more punch and heat rather than emotion. I will of course keep reading and I can’t wait for the story, be it in this series or a Thunder Road (please!) one.
Published Nov 2017, Bastei Entertainment, 278 pages, £4.31
A sizzling new adult novel that got sparks flying between the MCs pretty much from the first page. I kindly received a copy from the publishers after the cover caught my eye on twitter. I wasn’t expecting anything unique, just a familiar plot of love-in-denial and dramatic spins. It mostly delivered and made a nice transitional read between more serious texts. If you are experiencing an endless winter season, it is an ideal book to crawl away with and escape under the sheets.
I think there is something seductive about new experiences in plot, following a character who moves to a new town and meets new people. Allie runs away from her domineering parents to start college and begin a new life. The only available apartment left, however, is owned by the most intolerable, arrogant and insensitive (but of course incredibly attractive) guy. Determined to suck it up, she agrees to move in with Kaden and grudgingly accepts his outrageous ‘rules’, one being never to talk about her ‘girl problems’. But of course, with each day the beast reveals snippets of his vulnerability and painful memories. Just as they begin to connect, their past lives seep back in causing mayhem and destruction.
There is some clumsy narration where the story lacks subtlety, and certain scenes were a little crass for me, which is the case for many contemporary NA, especially college based ones. The characters are not the most memorable, but the pacing and build-up of heat between them is well done. Their friends add a comedic touch to the story. A tiny bit of lag during the bonding moments, but this picks up towards the second half of the book. Simple, direct and satisfying.
Many thanks Bastei for my copy.
For more live-in romances I would recommend Japanese high school drama ‘Good Morning Call’ on Netflix. And For new starts, Nicholas Spark’s Safe Haven.
Published by Piatkus, 31st October 2017, 416 pages, £8.99
Eloisa James returns with another heart-hugging and racy romp perfect for this season. As days darken and leaf strewn streets beckon us into the sanctuary of a warm reading nook, this book is ideal for curling up and warming the soul, with of course some pulse quickening moments.
It’s the first in a new series (although it never really matters which part of a romance series you begin with), set in the Georgian period and is an idol story. Lord Alaric Wilde returns to England from years of exploring and writing to find out he has become something of a sensation, with leagues of women devouring his books and plastering their bedroom walls with his handsome face. Confused by all the attention he retreats to his father’s castle to reunite with his family only to find a host of their guests fawning over his every movement. The one who isn’t the least bit interested (of course) is a young woman called Willa Ffynche. Spirited and witty, Willa is unfazed by his reputation and is frankly indifferent to him.
The fact that it’s a simple plot set in one location with a small circle of characters, is a testament to the author, who kept me reading into the night. The obstacles keep on piling. Alaric has to convince Willa that his interest in her, whilst other women are throwing themselves at him, is not because she is another unmarked territory to conquer. Willa, composed and sensible, finds it increasingly difficult to ignore the mere heat of his presence. James is skilled at creating tension without dialogue, just with the characters being in the same space. Even if Willa does succumb to her attraction, marriage with Alaric, who is followed eagerly by every newspaper, is the last thing that she wants if she is to have a peaceful life. James expertly drops moments of recognition and satisfaction, building towards a blissful ending with a note of suspense. She also throws in memorable quirks such as a delusional missionary and an intelligent skunk that helps save the day.
Published by May 2013, Harlequin Teen, 456 pages, £3.49
I thoroughly enjoyed this. Before embarking on an 11 hour flight across the world, I knew I needed a Katie McGarry. Everything she writes somehow both soothes and excites me. Pushing the Limits, the first in this series was great, full of crackling chemistry and drama. I would recommend reading this book first as it contains the characters’ history, which isn’t completely essential, but boosts the engagement.
This story follows Beth, another girl from the wrong side of town (Check out Red At Night). All she has known since she was a child was to protect her mother from everything.. drugs, a violent boyfriend and prison. Growing up with unsavoury characters, she has learnt to be tough as nails and sharp as a whip in order to survive. Her character jumped out at me with her dialogue ringing out loud and clear. Her vulnerability and strength also felt raw.
As problems spiral out of control, Beth is forced to move away with her uncle who makes it his mission to reform her. Scared for her mother, separated from her best friends and attending the local ‘hick’ high school, she experiences her worst nightmare. Despite this, she finds herself drawn to the most stereo-typical guy she should avoid, golden boy jock Ryan. He is your average High School Musical star, but with baseball and a bit more muscle. On track to play pro, the cracks in his perfect life start to inch further into the book; a domineering father, a depressed mother and an estranged brother. What starts off as a dare to ask out scary skater girl, leads to deep attraction and mutual understanding. This romance started off quite slow with a lot of back tracking, which made the book longer than necessary. I was impressed with the shift in Ryan’s character, who started off as an macho airhead.
Beth and Ryan have to face a lot of courage to make their relationship a reality. They have to face abilities that have been suppressed or forgotten. For Beth it’s trust, while for Ryan it’s rebellion.
This is an outstanding debut novel, young adult story and a contemporary peep hole into the thorny topic of race in America. I loved every word of it and slowed down my reading pace to stall its ending. It’s also a very ‘now’ book, like Melissa de la Cruz’s Something in Between which is about immigration and identity in the eyes of a high schooler, published just before Trump’s rise to power. I was half way through ‘The Hate…’ when I heard news of the Charlottesville rally. However, that doesn’t mean it should be read just because of its current-ness. What strikes the reader is the stubborn timelessness of prejudice and corrupted politics. There is however, a sense of hope that change is still possible, even if it’s slow and painful.
Sixteen-year-old Starr witnesses her childhood friend being shot by a police officer for no real reason. And just like that her life is turned upside down. Raised in a rundown community, known for crime and gang warfare, she attends a private school on the privileged side of town. After the incident, Starr is exposed to the harsh division of her two worlds. As the case builds up and goes public, injustices and ugliness are dragged to the fore. Attitudes remain infuriatingly fixed, refusing to budge. As the sole witness, the pressure and responsibility rests upon Starr’s young shoulder to set the score.
‘The Hate U Give’ also stands for THUG, which is taken from the rapper Tupac’s lyrics: ‘Thug life: the hate you give to infants f*** everybody’, a nod to the author’s musical past. The seed of hate fosters fear and even more hate, like an endless circle with no progress for anyone. Starr is made to realise how she had succumbed to acting and talking different at her school. The fear of being stereo-typed as ‘ghetto’ or ‘angry black girl’, caused her to iron out her identity. This is something I understood as an ‘ethnic minority’- the desire to down play your race and to blend in.
Despite the seriousness of the topics, Thomas manages to keep the novel strictly teen with talk about fashion and sports, as well as a cute romance. Most of the plot is centred around an exciting build-up as the readers wait to see whether Starr will speak out. However, there were some slow parts which I believe is intended as relief from the heavy subjects.
Published by St. Martin’s Press, September 2013, 481 pages, £1.19
What started as a light-hearted story about a young woman’s first days at Uni quickly evolved as a thoughtful tale about mental health. Do not be fooled by the cutesy cover. While it is upbeat and quirky, it moves into darker corners of everyday life.
Cath lives and breathes fandom. She and her twin sister Wren devoured a children’s fantasy series called Simon Snow. They wrote wreathes of fanfiction, hung out in forums and went to late night book releases. Their obsession grew at the same time their mother had left them. In that sense it was not so much a craze but a way to cope. For Cath, it was not only the option to live in someone else’s world, but to have their words become yours. In writing fanfiction, she ensured that the story that comforted her during the painful separation, never ends. This is a notion that really hit home. Cath takes comfort-zone to a whole new level.
As the sisters head off to college, Wren is keen to become independent and live apart. So Cath is faced with a terrifying new life, away from a once inseparable twin and a father who also never fully recovered from the family trauma. We soon realize that this is more than your usual freshmen jitters. Cath has trouble engaging with new environments and people, preferring to almost starve than ask where the food hall is. A big bulk of the novel focuses on how she navigates through this, with the help of some zesty characters and a cute farm boy. This is when the plot slows a little, but the author easily maintains a constant liveliness to the story.
Cath is a very sweet character and I imagine she speaks to many types of ‘fangirls’. We all understand how special certain books are, their characters, worlds and most importantly their words. We root for Cath to grow in confidence and independence, not so she can cast away her past but so she can finally create her own stories.
Published by Icon, February 2017, 256 pages, £13.48
I was kind enough to receive a review copy from Icon Books after hearing a lot of enthusiasm about new research that prepares to challenge time-old myths about gender. This book, from notable scientist Cordelia Fine, argues that gender is a social rather than biological construct. That male and female, human and across the animal kingdom, are not in fact that different. The author attempts to subvert the accepted mantra that certain ‘evolutionary make-up’ makes men and women tick, why they are believed and remain unchallenged.
Whether you are up to date with the latest in biological research or not, we have all heard again and again that men are the naturally promiscuous sex and women are more nurturing beings who prefer to stick to one mate. Men are apparently overridden by a monstrous hormone that fuels their active and risk-taking nature. This is supposedly the reason for deep-seated inequalities in modern society. It is this ‘Testosterone Rex’ that allows men to get promoted and become effective risk-takers. Fine basically rains on all of these ideas.
With a robust and entertaining voice, Fine dissects and questions respected scientific claims, some that have gone untouched for decades. Her findings exposes the ridiculousness of simple gender divisions, the popular mindset: Men are from Mars and Women are from Venus. She tries very hard to involve the non-science reader with her witty and personal anecdotes. However, at times it was tricky to stay on top of all the scientific jargon. I particularly liked the chapter called ‘Sky Diving Wallflowers’ which questions the notion of risky behaviour, which has always been assigned a masculine trait. Firstly, she goes against the findings that were meant to prove this very general connection. And then secondly analyses the meaning of ‘risk’ and how it is an ultimately a subjective act.
Fine’s book offers some pretty solid arguments and is a good start to those who are interested in this topic. But it may be a smoother ride if you are more versed in science.