Published by Hodder & Stoughton, 31st Jan 2017, 416 pages, £6.99
Remember it’s only a game
I was very impressed with this absolute star of a debut. It’s juicy, mind-twiddling plot made me feel like I had entered one of my dreams. This is a story about Scarlett and Tella, two oppressed young sisters living in fear of their abusive father. Ever since she was a child, Scarlett had wanted to join the spectacular show called ‘Caraval’. This is a once in a year mystery game where the audience take part, gathering clues and interacting with actors to solve it. This game is so popular that participants have to be invited to play by the elusive game-maker ‘Legend’, who is surrounded by a smog of rumours and scandals. The show also has a reputation of danger and excess when players become too involved and forget that it is all fake. There is also a connection with ‘Legend’ and Scarlett’s family and a secret involving the mother that left them-another reason why Scarlett longs to be closer to Caraval.
Scarlett’s long awaited invitation finally arrives, at a time when her father’s tyranny is on full steam. With the help of a dashing but strange sailor Tella befriended, they both manage to escape. But as soon as they arrive at ‘Caraval’, Tella goes missing. Scarlett soon discovers that her sister is the mystery of this season’s game, with Scarlett desperately wading through an unreal world to find her. As she becomes more involved in the game, she too believes in its reality. She begins to piece together links to her family history and fears for her sister’s life. As stabs of danger begin to threaten her, I also started to take the game seriously.
Julian, the mysterious sailor, is not only heroic, charming and kind. He is unpredictable, untrustworthy, which means he is undoubtedly exciting. He has an intensity and sensitiveness that irrevocably attracts Scarlett, despite her base instincts. He alone stays by her side throughout the game and becomes a pillar of support through the madness. However, the more Scarlett opens her heart to him, the stranger his character becomes and the more involved he is with the game.
The setting of ‘Caraval’ felt like a recurring sub-conscious about being lost or trying to find something that’s always out of reach. The author was spot on with the irrational trickling of time- sometimes speedy, sometimes painful, like walking through honey. Tella was always frustratingly in the distance but never fully seen. Events unfolded like a slow moving kaleidoscope with strange characters popping up and then melting away. This is by no means a chaotic sequence of plot. The author controls and contains the game enough to lure the reader with keyholes of revelation. But just when Scarlett gets close to unmasking a clue, it changes. It keeps morphing right to the ending sentence, just when we think the game is over, a new one has begun.
Can. not. wait. for. sequel.
Many thanks to Hodder for my review copy!