Published by Macmillan, 12 Jan 2017, 320 pages, £4.00
This was a very sweet story which I will remember for a while. A few months ago I read The Problem With Forever by Jennifer L. Armentrout, which was about a girl who had trouble speaking caused by trauma during an abusive childhood. That was when I realised the explosive power that rested in a story covering the topic of speech and the deep hold it had for me as a reader. As a naturally quiet person, as I am sure many readers are, I engaged with some of the mania and the injustice that shakes a character who is unable to express themselves through speech. Sara Barnard’s heroine, Steffi, is diagnosed as a selective mute with social anxiety. She begins the novel in silent but courageous agony against the mean girls, which was when I knew I was going immerse myself in her world.
The author’s writing flows very easily, her characters blossoming effortlessly that I had trouble switching off the kindle. You know you have a winner when you’re reaching for the book with just 5 empty minutes to fill. In fact, this book stole my attention from another, one that I was anticipating for a few months.
The MCs clicked well. Steffi is introduced to Rhys, a new student who is also deaf. She has been asked to look after him as she had some basic knowledge of sign language. They are immediately drawn to each other. Their romance isn’t as powerful as many of the current YAs out there, and especially if I am comparing it to The Problem with Forever. It was sweet and sensitive.
He thinks you’re sunshine.
Rhys is certainly an appealing, mature and witty love interest. The story focuses on happens after they share their first kiss and how they navigate themselves through a world that is clearly against their condition. When things get tough Steffi finds herself being pulled back into a internal wormhole that she suffers during the darker days of her uncontrollable silence. This book is about her being able to find light to pull herself out and the power of love certainly contributed.
Steffi and Rhys’ relationship wasn’t about finding a cure for Steffi, but more about two young hearts against the world as it would be for any pair strong willed teenagers whether they are deaf, mute or not.
Many thanks to Macmillan for a review copy xxx
Published by Macmillan Children’s, 9th February 2017, 464 pages, £5.59
I was so excited when I got my ARC of this, but unfortunately I did not enjoy it as much as hoped. I read the entire Lunar Chronicles this summer and it blew me away, bumping Marissa Meyer up as one of my favourite authors. The premise of Heartless seemed interesting enough- an origin story of the Queen of Hearts from Alice in Wonderland. I’m not a huge Lewis Caroll fan. I love the Jabberwock poem, but I haven’t read Alice in Wonderland in years and I vaguely remember the Disney movie. So I haven’t been interested in reading Caroll adaptations in the past. I was only reading this because of the author. I thought it was going to be like Fairest, the origin story of the evil Queen Levana in the Lunar Chronicles, tragic and fascinating.
Before she became a blood thirsty loon, Catherine Pinkerton was once a young vivacious woman who dreamed of opening her own bakery. But being the daughter of nobility, she was forced into a marriage with the tiny air-headed King of Hearts who was unfortunately besotted with her. She meets Jest, the King’s new mysterious court entertainer, who introduces her to new ideas, worlds, and most importantly, freedom. They enter a secret romance despite the inevitable danger. Meanwhile the Kingdom is being terrorised by vicious monsters with no hope of being vanquished.
I was quickly enchanted by Meyer’s world building which was beautifully and cleverly written. Magic, wonder and intrigue filled each description, from lemon trees that grow from dreams to dancing lobsters. There are so many allusions to Caroll’s creation, which was a nice unearthing of my childhood memories. Familiar and new characters slip in together naturally. Catherine is a very passionate and warm character. Her struggle for independence, which evokes Victorian female oppression, is very endearing.
However, I’m afraid this is where my interest ends. My reading of this book took two months, way longer than I anticipated. Instead of racing through to the end as I did the Lunar Chronicles, I kept getting distracted by other books. I had to ask myself why it almost went into a slump pile, despite having so much promise? I think at the end of the day, when you take away all the beautiful (and sometimes heavy) descriptions, which is primarily adapted from other works, you are left with a singular story line: a young girl with a dream who is forced to abandon it. I’m not saying this story is too simple, but in this case it doesn’t survive. The romance between Catherine and Jest developed too slowly and just wasn’t strong enough. This resulted in the shift in Catherine’s character at the dreaded ending being quite displaced.
Perhaps it belongs to more devoted Caroll fans. The only reason I am not giving it 2.5 stars is because of the beautiful writing which is undeniably impressive. I will, of course, still look forward to more of Marissa Meyer’s work.